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Jessica Saund began her early dance studies with California Ballet, and continued her training on full scholarship at the Kirov Academy of Ballet in Washington, DC. In 1996, she joined the Washington School of Ballet under the direction of Mary Day. That same year, Ms. Saund took the Gold Medal in the junior division at the 2nd International Ballet Competition in South America....Read more
Jessica Saund began her early dance studies with California Ballet, and continued her training on full scholarship at the Kirov Academy of Ballet in Washington, DC. In 1996, she joined the Washington School of Ballet under the direction of Mary Day. That same year, Ms. Saund took the Gold Medal in the junior division at the 2nd International Ballet Competition in South America. In 1999, she was invited to dance with Le Jeune Ballet de France in Paris before joining the English National Ballet, where she remained for 5 years. In 2006, she entered American Ballet Theatre.
Ms. Saund has performed soloist and principal roles in every full-length ballet in the classical repertoire. She has performed leading roles in the works of George Balanchine, Mikhail Fokine, Anthony Tudor, Sir Kenneth MacMillan, Michael Corder, Jerome Robbins, Sir Frederick Ashton, and John Cranko, and has worked with and created roles for many of the greatest living choreographers, including Twyla Tharp, John Neumeier, Kevin McKenzie, Paul Taylor,Mark Morris, Jiri Kylian, Dwight Rhoden, Lar Lubovitch, James Kudelka, Benjamin Millepied, Christopher Wheeldon and Alexei Ratmansky.
Ms. Saund worked for many years with her mentor and coach David Howard. In addition to performing as a guest artist with several U.S. ballet companies, Ms. Saund has modeled for Barney’s New York, Vogue, Glamour, YSL, Seiko, and Bloch Ballet in both print and television advertisements.
Ms. Saund has been a guest teacher at ABT studio company, English National Ballet, Steps on Broadway, Ballet Arts NYC, and through out London and across the US.
Read lessClass Descriptions
My class is driven by timing and music. The structure of the class and patterns of the exercises work for everyone. Preparing the dancers body for a productive day and ready to work. While always bringing the joy of dance.